An exploration of our physical relationship to media technology
October’s DwD session was hosted by Antje Budde of the Centre for Drama, Theatre and Performance Studiesat the University of Toronto, affiliated with and inspired by the exhibition “SPLICE: At the Intersection of Art and Medicine” curated by KMDI Fellow and international artist Nina Czegledy.
WORKSHOP CONCEPT & CONTENT
Digital technology has a drastic impact on our lives and the way we communicate with each other. This has strong implications for how we engage our bodies in our communication, especially now that we are in constant contact with mobile computing devices. Through a series of live and mediatized physical exercises facilitated by theatre performers, this workshop will explore the role that our physical bodies play in this shifting technological context.
Do we have to fear new developments or can we courageously embrace them? How can we maintain control over our bodies and body images? Playfulness and a healthy dose of doubt are a perfect mix to keep an empowering distance between us and the at times overwhelming demands of the multitude of devices now attached to our bodies and minds.
The workshop was created by the Digital Dramaturgy Lab (Centre for Drama, Theatre and Performance Studies at UofT) and SLICE. The session will be conducted in collaboration with graduate students from UofT, York University and emerging local artists from Pandemic Theatre in Toronto, including: Art Babayants, Aidan Dahlin Nolan, Douglas Hamilton, Myrto Komarianous, Kat Letwin, Montgomery Martin, Tara Ostiguy, and Michael Reinhardt.
Opening dialogue with roughly 50 participants inviting performance and participation.
One group improvised by performing and recording soundscapes (of city, farm, office, factory) with found materials. In the auditorium, the second half of the group built human shape tableaux to structure these same settings,
Presentation of the soundscape and human shape video mix, followed with inquiry and dialogue into the experience.
, a graduate from Humboldt-University, Berlin and the Central Academy of Drama, Beijing, is an Associate Professor at the Centre for Drama, Theatre and Performance Studies at the University of Toronto. She is currently in the process of establishing the Digital Dramaturgy Lab in association with her home department and Knowledge Media Design Institute
(KMDI). Her upcoming experimental performance piece “Artaud’s Cage” is investigating the possibilities and challenges of audio-visual motion tracking technology in live performance and will be presented as part of the conference “The Future of Cage: Credo
” which will take place at the end of October 2012 in Toronto.